THE CONNECTION!

-------A Monthly Newsletter for ArtistsConnect in Edmonds, Washington------

November 2005, Vol. 1, Issue 6

Happy Holidays!
A note from your Newsletter Guru:

It's that time of year again! Regardless of how you spend the holiday season it can be pretty crazy out there. It is sometimes hard for us to find the time for our art - especially this time of year when there are so many things to do, places to go and people to see!

So, this is just a friendly reminder to take some time for yourself to do what you love to do - make art! I say this as much for my own benefit, as for yours: I figure if I put it in writing I will be held to it! It can be easy to hibernate, and disconnect from the world, especially during January, when we are in the thick of winter. But I find that time of year meditative, peaceful, quiet, and especially welcome after the flurry of activity in November and December.

During the cold months it seems a good time to reassess, reorganize and make plans for your future work. It's also a good time to connect with your fellow artists. Rachel Van Citters announced via the Yahoo group that there will hopefully be regular meetings in Edmonds on Wednesdays at 11:00 am at Caffe Ladro Espresso Bar & Bakery in Edmonds (above the bowl), 8403 Main St. at 5 Corners, 425-670-1790. If someone would also like to set up an evening time for these fun, casual meetings that would be great!

There will likely be a mini version of the newsletter or no newsletter at all in December. I want to take the opportunity to say thank you to everyone for their generous support in the production of this newsletter - I couldn't do it without you! And a very special thanks to Cheryl A. Hufnagel and Laurie Piper for their help in writing articles and gathering information.

I look forward to seeing you all in the New Year!

-Amy Peacock

Featured Artist

Bill Butler
       
Bill Butler left a long career in software development to devote all of his time to photography and the world of digital imaging. He says, "I have always been interested in Photography, because of the combination of technology and art. Now with digital there will always be software required, which has always been another interest."

BillMadrona Swirls.jpg (211191 bytes)
Madrona Swirls

Bill has recently started Edmonds Digital Imaging in Edmonds, WA. which is primarily a digital consulting/services business to artists and photographers. It "provides a way of getting more involved in the arts and maybe helping other artists and photographers with the digital/software part of the business to promote their work." These services include teaching/ coaching small groups or individuals in private sessions to learn the workflow for themselves. The software of choice is Adobe PhotoShop CS versions or the most current version of PhotoShop Elements for beginners.

BillMadrona Scales I.jpg (186563 bytes)
Madrona Scales
   
Bill's photography emphasizes macro work in nature, a shift from other photographic interests that have included mountaineering expeditions to Mt. McKinley in Alaska, Mt. Everest in Nepal, Aconcagua in Argentina/Chile and others. Influenced by Ansel Adams' landscapes and John Shaw's nature work, Bill is also inspired by all the photographers "that seemed to be everywhere with their tripods while on climbing expeditions around the world." Bill reflects, " I only wish I knew then what I know now about photography and I would have decent pics from that time."

Bill will be featured artist at Seattle's Art/Not Terminal Gallery in January 2006.


Featured Artist

Sue Robertson
   
   
"My first painting classes were at 11. I loved those classes. But, as happens, life got in the way of art. Thirty years of facilities and office management in professional accounting and law firms happened.

I got lucky and retired early, and the first thing I did was take painting classes. My first instructor was a realist, and I painted primarily southwestern landscapes. I found that there is no market for these in the northwest.

The detail of realism frustrated me so much that I was ready to quit painting. Then I met Bob Burridge in Palm Springs. That workshop literally changed my life. Bob is a fantastic artist, as well as a wonderful person to learn from. He loves painting and his enthusiasm transfers itself to his students. He told me that I didn't need to follow any rules; that I had permission to do whatever I wanted. If I want the wine glass bigger than the bottle, so be it. Since that first workshop I have changed to a loose, colorful style and whether I am painting a landscape, still life or abstract, the subject is simply a vehicle for the color and stroke. I work from my imagination and go wherever the painting takes me.

suer01.JPG (193432 bytes)


An early customer said my work was happy, joyful art. And she was right. When I am painting I smile constantly, and the creation of art brings me such joy that I call my work "Joyful Art".

My work is shown at several venues locally, and as far away as Jasper, Texas. Currently my work is displayed at Parklane Gallery in Kirkland, University Frame Shop & Gallery in University Village and The Art & Soul Gallery in Bothell Country Village.

I have shown at Edmonds Arts Festival, the Kirkland Summerfest and Fresh Paint at the Everett Marina. I enjoy outdoor festivals because I get a chance to talk with hundreds of people about my work. Some buy, some just enjoy, but all comment on the color and style, and I never tire of the interaction with clients and other artists.


suer02.JPG (224227 bytes)


I continue to study with Bob Burridge as well as other instructors. I still create the Joyful Art , the colorful fruit, wine and florals. Lately I have been creating abstracts, using different materials and pallets. We'll see how this goes, but it all makes me smile, and I LOVE IT!"


November Meeting Minutes

We covered a lot of ground at the November meeting - a BIG thank you to Autumn Kegley for taking minutes at the meeting!

Our November discussion of the 2nd Artists-Connect show and related group issues was hosted by Cheryl Hufnagel and Joan Shannon.

We began with a statistical overview of the show provided by Ann Wood:

Total show sales of $4,300
171 Notecards sold
34 artwork/print items sold for $20 or less
30 larger artworks sold
461 pieces were entered (into the computer database, excluding additions made during the show)

In comparison, Ann Wood believes about 15% of original work juried into the Edmonds Arts Festival sells. (However, we should take into account that only original works are offered for sale in the juried show - patrons must seek print reproductions and greeting cards from the field artwork booths.)

A large number of the visitors to our Artists Connect show in October appear to be drop-in customers directed to the show by our sidewalk signs. (As Ann noted from questioning people at our sale as well as at the Previously Loved Art Sale held at ArtWorks.)

Julie Scandora suggested we try to reach a new audience, unfamiliar with or intimidated by traditional art sales venues by further exploiting the use of more informal advertising, like the sidewalk signboards. As a local artists group, we should try to reach more local citizens. Including a designated door greeter as one of the continuous volunteer positions during the show would help to make the experience more welcoming to newcomers. One of our new members discovered our show - and our group - via the sidewalk signs, and enjoyed the conversations she had with the many artists present .

Ann Wood mentioned that an "ArtWorks" banner may be included during renovations in the parking area, as new lights are installed.

We should try to use the free advertising available through local press coverage to more advantage prior to our upcoming show, by sending out notices to area papers.

The show layout worked quite well visually, the only improvement suggested was more consistent labeling of our individual areas. People appreciated having the artist’s name prominently near their work. Also, since we speak in another language (of visual metaphors) - having a description which helps viewers to clue into the stories informing our work might help them connect to it.

Changing the show structure to include an entry fee was suggested; although that moves us towards a more formal arrangement.

Discussion of the Survey of Proposed Changes to the Overall Group Structure/Direction and Show

The next meeting of ArtistsConnect falls on Saturday, January 28th, 2006. February’s meeting falls on Saturday 18th, 2006. During April we currently have our second yearly show scheduled (27th - 30th), and will not host a meeting.

No definite decisions were taken on the survey proposals, ideas were discussed - and voting upon any changes will be taken during the January meeting. As of the November meeting, only 16 surveys had been returned... those of you who have not yet done so, please download the survey from our website or the Yahoo group and complete it before the January meeting. The survey includes two groups of questions - how do we run the group - how do we take care of shows?

The survey can be downloaded at: http//www.artists-connect.com/survey.htm

You will need to log in with the user name and password. Please contact Amy Peacock if you need these.

Dues?

If we collected dues, they would provide a consistent support for the newsletter. Membership dues are tax deductible, if you keep track of them via a check. However, dues would lead to a lot of administration - requiring us to open a bank account, establish by-laws, vote in officers, etc. This might also affect our non-profit status. Perhaps we should instead determine true cost of shows and producing the hard-copy newsletter and write checks/ donate cash on a volunteer basis to the responsible parties to cover expenses. To this end, we need to notify Amy of whether we would prefer a hard copy version of the newsletter or be emailed a downloadable copy.

 

Changes in Show Structure?

Do we want to change/extend the show hours? Or have more shows during the year? Perhaps we should create sub-groups within Artists Connect to organize themed shows. Before determining upn any changes in our show structure... perhaps we should ask what our motivations are in doing so.

Some members proposed that we may over-saturate our market with too many events. However, much of Edmonds is still unfamiliar with the major expense and planning far in advance.

Perhaps the timing of our shows should be altered to a summer month and December to catch increased walking traffic during those periods. Some artists suggested we also consider changing the Spring show date to January or February... months when people are more directed towards personal fulfillment and decorating their homes.

The overall consensus at this meeting seemed to be that two yearly full group shows is the right number. Organizing more shows would force us to become more organized.

Changes in Group Structure?

Autumn Kegley proposed that we could schedule at least one yearly meeting which focused on a loose critique format - each member would bring in a work or ArtWorks space... we need to continually get the word out via personal networking to increase our exposure. Perhaps in addition to sidewalk signs, we could research the possibility of having hanging banners (akin to those for the Edmonds Arts Festival) advertising our show. This would. however, involve work-in-progress to discuss with the group. On the same note, several artists thought it would be nice to include more networking time within the meeting... perhaps by scheduling meetings to extend until 12:30, with the last half-hour being informal to mix and chat. Shall we also return to a round table seating arrangement, for the increased connection that engenders? Or, we could host a drawing/painting session after the meeting...

Should the business meeting come before any scheduled speakers, or afterwards? If before, then people who may have already heard a particular speaker would not have to sit through a repeat. It was suggested that we draw upon the knowledge within our own group first in looking for potential speakers this coming year. Perhaps one or two members could share their own work and discuss process and inspiration. Using a panel-style set-up would make it more smooth and less threatening. Proposed topics for future speakers included: Finding a venue, Displaying your work within shows to best advantage, Promotions, Booth Shows.

Should special-interest sub-groups within Artists Connect be formally established? Sub-groups probably happen in any case, between members with specific interests. The ArtWorks space is available at a $5.00 per person usage fee to help cover operational costs... we can take advantage of this to host open painting sessions, etc. However, any get-togethers need to be scheduled with Ken Smith (who manages the space).

Miscellaneous Announcements

ArtWorks has purchased a printmaking press! Ken Smith will be unpacking and setting the press up in January, and it will be available for classes and open rental usage. Talk to Ken about helping out with the setup. Amy Peacock is always working hard to improve our website: www.artists-connect.com. Please drop by to take a look, and if you have a website promoting your art - send her informaion to get a link from our site. The website includes a section for members only, containing our personal contact information and the full list of members... to access this area enter the user name and password.

Kathleen Johnson has volunteered to publicize our group and its shows... please send her any helpful contacts/ publication dates.

The final open figure drawing session held at ArtWorks this year will be on Thursday, December 8th from 6:30 to 8:30 p.m. Ken Smith hosts the session with a professional live model for a $10.00 drop-in fee. Bring along your drawing/painting supplies and hone your skills!


Miscellaneous

ArtWorks Group - come paint with us!
On Wednesdays from 1-4, there will be a painting/drawing session at ArtWorks. Open to all ArtistsConnect artists, the group's emphasis is to bring artists together for creativity and mutual encouragement. There is a $5 fee per person.

 

Past issues of the newsletter can now be found on the ArtistsConnect website: http://www.artists-connect.com

 

Photos from the October show can now be seen at the AC website!

 

Calls for art and artist showings can also now be found on the AC website. If you have an announcement that you would like to share with the group via the newsletter or the AC website please contact Amy Peacock at apeacock@pavoninestudios.com